Olamide’s songs have recently received a lot of fame. The artist is well-known both domestically and internationally. He is well-known among young people, particularly for his Hip Hop songs.
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To be clear, no Afropop act fared better than Olamide in the 2010s, and none can match the degree of his cultural impact.
By many counts, the 33-year-old musician controlled the previous ten years’ auditory zeitgeist, musically portraying Nigerian music’s transformation from obsession with Western-influenced music to the worldwide appeal of afrobeats better than anybody else.
After emerging from Bariga, Baddo first pierced the mainstream with his loud bars that positioned him as a rebel with something to prove.
He then attracted the eye of a generation with his anthemic works, which distilled philosophical narratives on hedonism, Lagos life, and cultural forces into several hit tunes.
All of this was accomplished while retaining a production level unheard of in Nigerian music.
From 2011 to 2017, Olamide released at least one project per year while featuring as a guest on an unimaginable number of songs to cement his reputation in the nation’s current popular culture and ensure his music was played constantly.
Olamide’s 2020 album, Carpe Diem, marked the next stage in his career’s progression. It aided his musical move into elder statesman area and further proved his talent as a musician.
In appreciation of Olamide’s career, we combed through his discography to develop The 20 Essential Olamide Songs for you.
This list is in no particular order.
1. Eni Duro
The song “Eni Duro,” which established Olamide’s mainstream success, was emblematic of the shift in Nigeria’s musical scene at the start of the 2010s.
It contained hints of the original lyrics, joyful flow, and witty one-liners that would eventually constitute a significant part of his creative arsenal. Over the course of the four-minute song, Badoo’s sheer willpower holds together a multitude of perspectives.
2. Voice of the Street
On “Voice of the Street,” Olamide sought the label of best indigenous rapper rather than claiming to be it.
The inclusion of “Voice of the Street” on Olamide’s second album YBNL marked a departure from the joyous tone of his earlier work and allowed the rapper to detail his demand for respect from the Nigerian music business with a commanding voice and gritty aesthetics.
3. Science Student
Olamide’s contentious song “Science Student” was justified as a message on the drug culture in Nigeria, but slammed for being complicit in this phenomenon.
Despite its controversial character, the Young Jonn-produced song was often played and will be regarded as one of the most popular Shaku Shaku songs.
4. Bobo
Olamide has dominated the Nigerian music scene for almost a decade, but it wasn’t until “Bobo” that he had a dance craze that was irrevocably associated with him.
In Nigerian pop, viral dance crazes are the most pervasive phenomenon. The tremendous popularity of the song and dance served to emphasize Olamide’s immense influence.
5. First of All
Thanks to Pheelz’s outstanding production, “First of All,” a further indicator of Olamide’s emerging star, blurred the barriers between hip-hop and pop, becoming one of the Bariga-born rapper’s true crossover hits.
6. Durosoke
Olamide’s third album, Baddest Guy Ever Liveth, marked his unmistakable transition to pop, and its lead single, “Durosoke,” an irreverent song that allowed Olamide to express himself in an unorthodox manner, best exemplified his maturing musical skills. The song still contains two verses that are among the most memorable from 2013.
7. Featured on Phyno’s ‘Ghost Mode’
If “Ghost Mode” had been released just three years earlier, it may not have garnered the same level of critical acclaim. However, the first single from Phyno’s debut album, No Guts No Glory, which included Olamide’s razor-sharp lyrics and was released in a post-Dagrin world, moved the cultural needle.
The willingness of both rappers to share their native experiences while collaborating musically was one of the most significant advantages of the 2010s, and “Ghost Mode” was one of their best tracks.
8. Anifowose
“Anifowose” by Olamide, which used a stunning sample from K1 De Ultimate’s “Orin Abode Mecca Medley,” was a narrative-driven dedication to the neighborhood that shaped the singer’s boyhood.
There are references to growing up in poverty and developing a determination to succeed despite hurdles. This has not always been the case in Olamide’s music, which provides “Anifowose” with an additional degree of meaning.
9. WO
“Wo!!” was written with this audience in mind by Olamide, who has never lost his hood roots. While being chaotic, exuberant, and lyrical, the song evokes hood-specific musical forms.
Over time, “Wo!! ” grew beyond its original target demographic to become a nationwide hit.
10. Omo Toh Shan Ft Wizkid
Olamide no longer required the assistance of delicate vocalists to add melody to his songs, but on “Omo To Shan,” Wizkid’s sweet voice lends a sensuality to one of the best songs of the early 2010s, while Badoo primarily focused on giving this timeless rap-sung collaboration from his debut studio album, Rapsodi, lyrical shape.